Lewis Klahr’s Sixty Six

Klahr_sixty_six

Ian here—

The University of Chicago’s Film Studies Center has been having a fantastic year so far when it comes to experimental cinema. Hot on the heels (-ish) of their “Troubling the Image” series, last night they booked Lewis Klahr’s twelve-part, feature-length Sixty Six (2015), for what is I believe its Chicago debut.

Klahr was there in attendance, taking part in a very animated Q&A after the screening. I don’t think I’ve ever attended a Q&A with such an extreme questions-asked-to-time-filmmaker-talked ratio, and while some might have accused Klahr of self-indulgent rambling, I really rather enjoyed his tangents, and found that he had quite a lot of fascinating points to make about his process.

Continue reading

Advertisements

Two Lesson Plans on Childhood and the Found

Janie_Geiser-Lost_Motion-Screenshot-01.jpg
Lost Motion (Janie Geiser, 1999)

Ian here

I have decided to collect two lessons together in this post, since they have a similar scope.

The first lesson is a guest lecture I gave when I was a teaching assistant for Tom Gunning’s winter 2015 course “The Post-war American Avant-Garde Film” at the University of Chicago. This lecture followed a screening of films by Phil Solomon, Lewis Klahr, and Janie Geiser. The second lesson is from my own course, “Avant-Garde Film and Video Art,” taught at the School of the Art Institute in spring 2016. This lesson centered on Geiser, Klahr, and Joseph Cornell.

Continue reading